Forest Watcher - Forest Photography Composition
I was just wandering through Mount Field and seeing what turned up. That’s usually when things get interesting.
I came across this fallen tree and stopped pretty quickly. It had a strange presence to it. The more I looked at it, the more it started to feel like a face… or some kind of forest creature half buried in the ground. One of those subjects that doesn’t make much sense at first, but you can’t quite walk past either.
The fog did most of the heavy lifting. It softened everything in the background and stripped the scene back to just shapes and layers. Without it, I think this would have been a lot busier and probably not worth the effort.
Instead, it gave the whole scene a quieter, slightly eerie feel. Suited the subject.
I kept things fairly straightforward when shooting. Nothing clever, just working the composition a bit to make the shape read clearly and trying not to trip over roots while staring at a tree that may or may not have been staring back.
Processing was mostly about holding that mood. Keeping the tones subdued and letting the greens sit where they needed to without getting out of hand. It’s easy to overcook scenes like this, especially when there’s a lot of texture to work with.
In the end, it’s one of those images that probably says more about what you see in it than what’s actually there.
Fine Art Print
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📷 Photography Notes
Settings & Approach
- Aperture: f/11–f/16 to hold detail through the scene
- Shutter Speed: Depends on light, typically handheld or lightly supported in low light
- Focal Length: Mid-range (around 35–70mm) to avoid distortion and keep the subject natural
- ISO: Kept as low as possible given the conditions
Technique notes:
- Let fog simplify the scene rather than trying to “add” interest
- Watch your edges carefully, especially in busy forest environments
- Move your position slightly to make the subject’s “shape” read clearly
- Avoid over-processing greens, they can get out of control quickly
How to Approach This Kind of Shot
Scenes like this are less about finding something obvious and more about seeing something in it.
If you’re stuck:
- Slow down and scan for shapes rather than subjects
- Look for anything that feels slightly out of place or has “presence”
- Let conditions (like fog or low light) do the simplification for you
- Trust your instinct when something makes you stop, even if you’re not sure why
A fun exercise:
Try deliberately photographing something that isn’t an obvious subject. A log, a rock, a patch of moss. Then work it until it becomes something more through composition.
If this kind of image appeals to you, it’s something we explore a lot during my Tasmanian photography workshops and one-on-one lessons.
It’s not always about chasing big scenes or perfect light. Sometimes it’s about slowing down, simplifying, and learning how to recognise those quieter moments when they show up.
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